Leeuwarden by Johannes Seydel

Leeuwarden 1776 - 1813

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print, engraving

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dutch-golden-age

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print

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cityscape

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genre-painting

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engraving

Dimensions: height 320 mm, width 395 mm

Copyright: Rijks Museum: Open Domain

Editor: This engraving, “Leeuwarden,” made sometime between 1776 and 1813 by Johannes Seydel, presents a bird's-eye view of the city. What strikes me most is the combination of the orderly town and surrounding rustic landscape; how does this kind of image function in its historical context? Curator: Well, remember that these cityscapes weren't just innocent snapshots. During this period, images like these were powerful tools in shaping civic identity and promoting a sense of regional pride. Note the artist’s choices; by including recognizable landmarks like the tall tower, Seydel is presenting a specific, idealized vision of Leeuwarden, not just any town. Editor: So, it's less about pure documentation and more about constructing an image for public consumption? The embellishments, like the ornamental borders, add to that impression, don't they? Curator: Precisely. Consider where this print would have been displayed or sold—likely within Leeuwarden itself. The publisher’s details printed at the bottom offer another critical detail: “Book seller at the corner of Koningstraat”. How do you think that affected its meaning? Editor: It speaks to its accessibility. It wasn't some grand commission but a commercially available item, affordable perhaps for the rising merchant class? A symbol of their growing status and connection to the town itself? Curator: Exactly! These prints fostered a sense of belonging and reinforced the urban elites' investment in the image and prosperity of their city. Also consider, is Seydel focusing more on the aesthetics of urban life, or a particular element such as manufacturing capabilities of Leeuwarden? Editor: I think aesthetics might be more the intention given the decorative quality of the image, which suggests a desire to celebrate, rather than purely document Leeuwarden’s industrial activities. Thanks, that really broadened my view! Curator: And considering it as part of print culture helps us move beyond just aesthetic appreciation to understand its broader social and political significance.

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