Medal 1864

Curator: I’m immediately drawn to the patina on this medal, it whispers of time and handling. Editor: Indeed. This medal, crafted by John A. Bolen in 1864, resides here at the Metropolitan Museum. It’s neoclassical in style, executed in metal. You see a portrait in relief, an example of period commemorative art. Curator: The profile is so clean, almost idealized. The rope detail around the edge—it's simple but really frames the subject. I imagine it would have had significant meaning at that time. Editor: The imagery is undeniably potent. Washington as Cincinnatus, the citizen-soldier, embodies republican virtues. These medals served as tools for constructing national identity, circulating these images that promoted civic duty and patriotism. Curator: It’s curious how we create these heroes. The figure of Washington is placed within this symbolic framework of a virtuous leader…it says so much about the need to define a common narrative in the midst of a country tearing itself apart with Civil War. It’s fascinating how a single image can encapsulate such aspirations. Editor: These portraits became embedded in the collective consciousness. Reproducing likenesses served a crucial function, particularly during the Civil War, not just to reinforce ideals but to inspire. Curator: Seeing how the imagery ties into political narratives is a good way to reveal the visual symbols that underpin society. It does make me consider, even question, which values get propagated and how. Editor: Absolutely. I find myself contemplating how historical context and the evolution of those values influence its interpretation today. A fascinating piece of history, rendered as pocket art.