Portret van Hendrik Danielsz. Hooft by Noach van der (II) Meer

Portret van Hendrik Danielsz. Hooft 1794

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print, engraving

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portrait

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print

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history-painting

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academic-art

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engraving

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realism

Dimensions: height 93 mm, width 93 mm

Copyright: Rijks Museum: Open Domain

Curator: Noach van der Meer the Younger created this piece, titled "Portret van Hendrik Danielsz. Hooft" in 1794. It is currently held here at the Rijksmuseum. Editor: The precision is striking. The hatching creates a tonal range that, despite the limited palette, almost gives the illusion of color. Curator: The subject, Hendrik Hooft, looks distinguished, but who exactly was he, what story is this engraving attempting to tell us? Editor: Well, the tight composition, framing the bust within a circular border, reinforces a sense of order and restraint. It suggests a formal approach befitting its subject. Curator: Absolutely, we know that Hooft served multiple terms as mayor of Amsterdam and was part of a very influential merchant family. His position in Amsterdam would’ve shaped the policies and, perhaps, even the culture of the city at the time. The wreath surrounding his portrait, could signify virtue or accomplishment – signs of civic responsibility. Editor: Interesting. The wreath reads a little like decorative excess to me. It frames the face, drawing attention to the slightly stern expression. Does it soften the effect, or perhaps even mock his self-importance? Curator: I see it as more symbolic. Throughout time, wreaths were often displayed around important members of a community – symbols to show their connection to cultural heritage, family tradition and community stature. Editor: So you believe that even through something as "simple" as a print, cultural values of 18th-century Amsterdam are present? It becomes a document about the individual but also about collective memory. Curator: Exactly! Engravings like these were a common medium for circulating images and ideas, especially among the educated elite. This print provides us a glimpse into the era and how its leaders wanted to be seen – or even how they were viewed through the eyes of the engraver. Editor: It's fascinating to consider the dialogue between the artist, the subject, and us, the viewers, separated by centuries, all mediated through these intentional strokes. Curator: The act of memorializing, the impact one leaves behind - a notion we all can identify with! Editor: The simple arrangement invites the eye to explore this image with greater curiosity. It rewards slow, focused engagement, a fitting tribute, wouldn’t you agree?

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