print, engraving
neoclacissism
landscape
history-painting
graphite
engraving
realism
Dimensions: height 337 mm, width 457 mm
Copyright: Rijks Museum: Open Domain
Curator: The air of tension in this engraving is palpable. “Afzeilen van de veroverde Franse kanonneerboot Ste. Lucie, 1793,” made in 1793 by Robert (I) Pollard, captures a pivotal historical moment. Editor: Yes, a feeling of both triumph and foreboding washes over me. Look at the thick clouds of smoke contrasting with the moonlit sky—a real clash of drama and serenity. Curator: Precisely. Consider the iconography here. We see Dutch boats brimming with figures pulling away, but it's balanced by that ship engulfed in flames. That fiery scene acts as a powerful, almost sacrificial, visual metaphor. Editor: It speaks to the cost of conquest. While on one side, there's order and clear lines in the rowing boats and sails—representing Dutch maritime prowess—the French ship dissolves into chaos. Symbolically, it shows the turbulent transfer of power and national identities. Curator: And how the sea acts as this mediating force—both a barrier and a connector. Notice the details of the moon and cloud arrangement: they amplify the uncertainty and temporality of war and conquest. What might feel concrete shifts like the tides. Editor: Do you think the medium of print adds another layer to this reading? Its wide dissemination, and its reproducibility meant that these notions of the power of the Dutch navy were spread broadly to a receptive public. Curator: Undoubtedly. Its accessible nature ensured that national pride was easily stoked and continuously reinforced through repetitive imagery of victories, further fueling a sense of collective identity. The symbols resonate, influencing sentiment and historical narratives across generations. Editor: It is as if these dramatic, dichotomous naval images solidified particular Dutch cultural memories in people’s consciousness. Curator: Yes, it speaks to how powerful seemingly simple, single images can become through a complicated layering of events, artistic symbolism, cultural associations, and yes, even a little politics. Editor: Definitely. And that combination certainly left an impression.
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