Dimensions: object: 50 x 705 x 380 mm
Copyright: © Man Ray Trust/ADAGP, Paris and DACS, London 2014 | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: Man Ray’s "The Lovers," created sometime in the 20th century, incorporates rope and what seems to be tarnished metal. It's stark, yet oddly tender. What's your interpretation of this work? Curator: The juxtaposition of the rough rope and cold metal, combined with the drawn lips, creates a tension that reflects anxieties within relationships, particularly how they are impacted by social and political forces. Man Ray often challenged societal norms through his art. Editor: Do you think he was commenting on the weight or constraints of love? Curator: Precisely. The materials themselves—heavy and binding—suggest a commentary on the burdens or restrictions society places on romantic relationships. He encourages us to question what we expect from these bonds. Editor: I hadn't considered it in that light. It seems less about romance and more about societal pressure. Curator: Indeed. By exploring the public role of art, we can understand how Man Ray uses imagery to spark discussions about the politics inherent in even our most intimate connections. Editor: That definitely gives me a new perspective. Thanks!
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Man Ray made this piece after the end of his passionate, and sometimes tormented, relationship with the American photographer and model Lee Miller. The lip outline may have been suggested by the memory of a lipstick imprint left by a former lover on his collar, but the lips are recognisably those of Miller. The object is evidence of his continued desire for her, mingled with suggestions of violence: the hollow lead case can be seen as a body, while the looped rope suggests a noose. Gallery label, August 2012