Koe bij een houten voederbak by Johannes Tavenraat

Koe bij een houten voederbak 1854 - 1868

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drawing, pencil

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drawing

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amateur sketch

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toned paper

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light pencil work

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pen sketch

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pencil sketch

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landscape

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figuration

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personal sketchbook

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ink drawing experimentation

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pen-ink sketch

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pencil

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sketchbook drawing

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sketchbook art

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realism

Copyright: Rijks Museum: Open Domain

Curator: This is "Cow by a Wooden Feeding Trough" by Johannes Tavenraat, a drawing created sometime between 1854 and 1868, now held in the Rijksmuseum. It's rendered in pencil and pen on toned paper. Editor: The loose sketch quality evokes a peaceful rural scene; it almost feels as if I am intruding upon a private moment between animal and environment. I am interested in how that calm could intersect with our current anxieties around climate change and factory farming. Curator: Structurally, observe how Tavenraat utilizes delicate, light pencil work to delineate the form of the cow and the rustic texture of the feeding trough. It is the interplay between these very textures and the composition, its simplicity that is most engaging. Note also, the artist’s rapid pen strokes suggesting shadow and depth—a wonderful study in tonal variation. Editor: Indeed, though the visible handwritten notes disrupt that visual calm – a constant element to consider, the intersection between rural calm and legible notes and considerations, likely pertaining to local farmers’ names, observations and records of resource availability, thereby weaving larger narratives and struggles faced by agrarian communities. How might this interplay confront power imbalances of agrarian labor systems then and now? Curator: It is compelling, the relationship established through the figure-ground relationship between foregrounded sketch and its ground and context as a study. The pen work serves to not simply illuminate meaning beyond simple representation, but imbues with deeper representational qualities. Editor: For me, the personal feel evokes broader ecological and historical implications. If Tavenraat’s cow witnessed its landscape shifting drastically, the drawing invites pondering current biodiversity loss stemming from extractive capitalist structures – the politics of the ordinary that impacts all life, both human and nonhuman. Curator: Perhaps that "personal feel" speaks directly through a particular aesthetic register achieved through attention to material presence. An evocative interplay nonetheless. Editor: Yes, exactly, one worthy of continuous re-evaluation against complex, dynamic change.

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