Seated Nude Fixing Her Hair by Ernst Ludwig Kirchner

Seated Nude Fixing Her Hair 1908

0:00
0:00

drawing, woodcut

# 

drawing

# 

figuration

# 

form

# 

expressionism

# 

woodcut

# 

nude

Copyright: Public Domain

Curator: Ah, "Seated Nude Fixing Her Hair," a raw, intense woodcut created by Ernst Ludwig Kirchner around 1908. It's housed right here in the Städel Museum. What strikes you first about it? Editor: The starkness! It's so stripped back, so…uncomfortable, in a way. All that contrast, like looking at someone through broken glass. Curator: Exactly! Kirchner masterfully employs the medium. See how the black ink defines the negative space around the figure, creating sharp, almost aggressive lines? This isn't a gentle, flowing nude; it’s…angular, fragmented. It rejects traditional academic notions of beauty. Editor: It feels almost brutal, actually. I wonder about her inner world. There is vulnerability in being nude, sure, but there's something else, too. Is this his reflection on his lovers in the moment? Curator: Kirchner was deeply involved with capturing raw emotional states. That angularity reflects the anxiety and alienation felt during this period, particularly within urban spaces, a key tenet of Expressionism. Consider, too, the way her face is obscured. She isn't an individual; she represents a feeling, a state of being. Editor: The lack of individuality certainly amplifies that feeling. The bold, almost violent strokes of the woodcut knife leave very little room for tenderness, though her hands arranging her hair suggest a subtle act of self-care. Or perhaps, self-objectification? Curator: It’s the dance between those elements, the personal and the societal, that makes Kirchner's work so potent. The form serves the thematic whole. The raw quality of the woodcut heightens the raw emotion portrayed. Even the fact it’s a print means this image, this emotion, could be multiplied, disseminated, made ubiquitous. Editor: Thinking about it now, its brutal, yet also weirdly intimate, like a snatched glimpse of raw humanity. So…very him. Curator: Indeed. Kirchner sought to depict experience unfiltered, a mirror reflecting the tumultuous shifts of his time. "Seated Nude" does just that.

Show more

Comments

stadelmuseum's Profile Picture
stadelmuseum over 1 year ago

The bold perspective and curving lines of this nude testify to Kirchner’s close familiarity with the art of Henri Matisse (1869–1954). At the same time, the print reveals clear traces of the working process. Areas not cut out of the printing block entirely with the knife or gouge print as half-tones. The lower corner of the thick cardboard has been torn off and then somewhat clumsily patched again by the artist. He also retouched the print in other places with a brush and black ink and added details around the mouth and eyes.

Join the conversation

Join millions of artists and users on Artera today and experience the ultimate creative platform.