Riviergezicht met enkele huizen by Anthonie Waterloo

Riviergezicht met enkele huizen 1619 - 1690

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drawing, paper, graphite

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drawing

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dutch-golden-age

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landscape

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river

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etching

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paper

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graphite

Dimensions: height 278 mm, width 428 mm

Copyright: Rijks Museum: Open Domain

Curator: This is "River View with Some Houses" by Anthonie Waterloo, created sometime between 1619 and 1690. It’s a Dutch Golden Age landscape, a drawing rendered with graphite on paper and a touch of etching. Editor: It's charming. A bit dreamy, even. Like looking at a memory. Everything is softened by the artist's touch. All of those slender trees! It seems melancholy, doesn't it? Curator: Dutch landscape art in this period was so tied to national identity. The depiction of the land as cultivated and peaceful served to legitimise the republic after the revolt against Spain, emphasizing civic pride in the reclaimed land. Waterloo’s contribution here really exemplifies that. Editor: Reclaimed... there’s a hint of struggle there, of persistence. I see it in the houses clustered so close to the water, as though they've fought their way into the scene, hunkering down for some protection among all those very, very straight, up reaching, slender trees. There’s something brave about it. Curator: The use of drawing and etching, popular and accessible mediums at the time, underscores how scenes of Dutch landscapes circulated widely and played a vital role in fostering a sense of national belonging. Waterloo helped establish an imagery of place. Editor: And look, a tiny boat in the middle, puttering on—what do you think, two folks and a dog out for an afternoon sail? A tiny burst of ordinary life, cutting across those serene reflections in the water. It gives it a pulse. Like the trees are breathing quietly to themselves, sheltering secrets behind the buildings. Curator: Yes, this balance between the cultivated space, those houses you speak of, and the more untamed, natural elements, speaks to that duality at the heart of Dutch identity at the time. Order, but nature still encroaching. Editor: You’ve really anchored this in a larger frame for me. For a casual eye, this can be simple river life, trees bending gently in the wind. Hearing how deeply rooted those are in that cultural landscape truly transformed my understanding. Curator: I am so glad to share it, and for me, seeing it through your eyes always opens something new to experience.

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