Landscape from Civitella near Olevano by Joseph Anton Koch

Landscape from Civitella near Olevano 1823

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watercolor

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neoclacissism

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landscape

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figuration

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oil painting

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watercolor

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romanticism

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cityscape

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watercolour illustration

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genre-painting

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watercolor

Dimensions: 30 cm (height) x 45 cm (width) (Netto), 45 cm (height) x 58 cm (width) x 8.5 cm (width) (Brutto)

Curator: This is Joseph Anton Koch's "Landscape from Civitella near Olevano," created in 1823. It resides here at the SMK, Statens Museum for Kunst. Editor: My initial impression is of a pastoral tableau suspended in time. There's an almost photographic stillness, a classical serenity… but something feels just slightly off, an unsettling theatricality maybe? Curator: The unsettling feeling likely stems from the art's tightrope walk between Romanticism and Neoclassicism. Koch, straddling those movements, consciously inserts idealized figures—often shepherds—into rigorously structured landscapes, recalling Poussin. Editor: You see it in the meticulous balance of the composition: the prominent trees acting as framing devices, drawing the eye toward the distant town perched atop the mountains. Even the arrangement of figures conforms to a clear structure. It is balanced to near-perfection and evokes emotional stability in some viewers. Curator: The figures absolutely serve symbolic roles beyond mere representation. Look closely – they are timeless archetypes. The shepherdess is not just moving water or crops; she embodies the virtues of labor, simplicity, a connection to the land. Consider the young child on the goat--the association with innocence, gentleness, but also sacrifice? Editor: Right. And there's a tension between the wildness of the natural scenery – rugged rocks, scraggly trees – and the almost posed quality of the people in the image. That interplay underscores humanity's attempt to impose order and meaning on nature itself. Also look at Koch's strategic use of watercolor. Curator: Watercolors perfectly encapsulate Romanticism's sublime sensibility. The transparent layers create luminosity while capturing a profound sense of place and memory. Note the interplay between detail and vastness that evokes emotional power. Koch uses very similar symbolic languages with oil paintings and engravings as well. Editor: Indeed. Well, this visit reminded me to look past immediate tranquility for the deeper narrative beneath Koch’s measured surfaces. Curator: And for me, it reinforces how artistic expression enables individuals and societies to shape the perception of shared values. Thank you for your time.

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