De begrafenisstoet van Frederik Hendrik (plaat nr. 19), 1647 1647 - 1651

Curator: This print, “De begrafenisstoet van Frederik Hendrik (plaat nr. 19),” made between 1647 and 1651 by Pieter Nolpe, depicts part of a funeral procession. The use of engraving allows for a remarkable level of detail. What stands out to you? Editor: It feels very official, very stately. The rows of figures, the flags and coats of arms… there’s a real sense of hierarchy and order. I’m curious about what all these symbols mean, and how this image might have been used back then. How do you interpret this work? Curator: It’s vital to remember that images like this weren't merely neutral records. Consider the historical context. Frederik Hendrik was a hugely important figure in the Dutch Republic, a Stadtholder during a period of ongoing struggle for independence. This print isn't just about documenting his funeral; it's carefully constructing a narrative of power and legitimacy. What does the focus on heraldry tell you about the society it was intended for? Editor: It suggests that lineage and family history were really important. It’s almost like they’re reinforcing the Stadtholder's authority through these symbols, maybe even trying to cement the position for the future? Curator: Precisely! And how might this visual language reinforce or challenge existing power structures, and how might viewers from different social classes have perceived this carefully staged display of grief and authority? Who do you think might be missing from the image? Editor: Perhaps everyday people are missing; we see only nobility, maybe. This perspective definitely gives me a lot to consider regarding how this event was seen, and what message they intended to send. Thank you! Curator: Absolutely. And that critical lens, that understanding of whose stories are told and how, is what truly brings art history to life.