Zeeuwsche Maatschappij van Landbouw en Veeteelt by Laurent Joseph Hart

Zeeuwsche Maatschappij van Landbouw en Veeteelt Possibly 1855 - 1856

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metal, relief, bronze, sculpture

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neoclacissism

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metal

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sculpture

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relief

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bronze

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sculpture

Dimensions: diameter 4.6 cm, weight 41.90 gr

Copyright: Rijks Museum: Open Domain

Curator: Here we have "Zeeuwsche Maatschappij van Landbouw en Veeteelt," likely dating from 1855 to 1856, crafted by Laurent Joseph Hart. This relief, made of bronze, resides here at the Rijksmuseum. Editor: Well, isn't that just brimming with pastoral seriousness! The bronze gives it this somber, weighty feel, like a monument to the harvest season or perhaps a blue ribbon winner at a state fair? Curator: The artist, a practitioner of Neoclassicism, adopts a language of idealized forms. Note how the composition on one side—the horse, the cart laden with grain, and the cow—are rendered with a kind of austere clarity. The relief, though small, aspires to monumental gravitas through symmetry and carefully modeled forms. Editor: Gravitas indeed. It almost feels like I should be reciting a poem about the nobility of labor while gazing at it. Though I must say, the livestock look rather mournful. Almost as if they know winter is coming and all that lovely grain won’t last forever. I wonder what a cow thinks of agricultural policy. Curator: One could argue, the intention wasn't documentary realism, but rather to imbue agriculture with symbolic dignity. Observe on the reverse side, how the laurel wreath encloses empty space, with a small star positioned at the very top. The relief invites allegorical interpretations about prosperity. Editor: Right, I get that. Symbolism abounds! Still, one can't help but find it a tad… unironic. Everything’s just so... literal. Perhaps if Hart had introduced a touch of the absurd, a winking cow, or a runaway wheelbarrow... But that probably wasn't on offer then. Curator: The absence of irony is, precisely, the point. The object embodies Neoclassical principles: Order, reason, and a conviction that art should ennoble and elevate its subject matter. This isn't a snapshot, but a considered declaration of value. Editor: Fair enough. It certainly makes me consider the artistry embedded within my lunchtime sandwich. Makes you wonder what future societies will find noble, perhaps images of servers, deep fryers and all... Thank you, a truly meditative bronze that will stay with me. Curator: And thank you. Hopefully this inspires some contemplation of value and how our notions of it are formed.

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