En dansk Husar 1762

Editor: We’re looking at "En dansk Husar" by W.A. Müller, created in 1762. It's a print, an engraving, actually. The subject, in profile, wears an enormous fur hat; the details are so fine! What a contrast in textures. I'm intrigued by this character's severe expression. What strikes you about this piece? Curator: Ah, yes! The Husar. What resonates for me is the *intensity* of line. Müller creates almost a topographic map of the Husar’s face; those tiny etched lines build to create something much larger than a mere portrait. Imagine him, the artist, meticulously crafting each individual mark to construct that imposing fur hat. You can almost *feel* the weight and density of it, can’t you? And look closer, are those tiny adornments hanging from his hat?! It's a testament to precision! But there is something both comical and intimidating in his mien. Do you pick that up too? Editor: Comical! I see what you mean. The hat IS rather large and, compared to the ornate hat, his face seems so severe and...determined. I find myself wondering if it is meant to satirize authority? Or celebrate it? Curator: Possibly a bit of both, right? It's the Baroque fascination with embellishment against a new budding, shall we say… directness, in the sitter’s expression? History-painting prints like this had a life. Passed around. Traded. Commented on, debated. You, here, are adding another layer to that conversation! So, satire *and* celebration. A both/and. Life! Editor: Wow. From a funny hat to, life itself! Thanks for widening my view! Curator: My pleasure! It is all about where our eyes choose to focus!