George Washington c. 19th century

Editor: Here we have Henry Bryan Hall’s portrait of George Washington. I’m immediately drawn to the incredible detail in the engraving. What can you tell us about the printmaking process that brings this image to life? Curator: Consider the labor involved in creating the matrix. The engraver painstakingly carves lines into a metal plate. The cost of materials and the time commitment both speak to Washington’s societal position. The act of reproducing his image, consuming it in print, further solidifies his power. Editor: So, the very act of creating and distributing this artwork reinforces existing social hierarchies? Curator: Exactly. The material process isn't neutral; it actively participates in shaping and sustaining power structures through production and access. What does that mean for the viewer? Editor: Fascinating. It gives me a lot to consider. Thanks!