Woman with Three Feathers in Her Hat, Seen in Profile Between Two Men c. 17th century

Editor: Here we have Jacques Callot's "Woman with Three Feathers in Her Hat, Seen in Profile Between Two Men". It's a small print, and the figures look so delicate. What strikes you about its composition? Curator: Note how Callot employs line—a veritable choreography of strokes. The hatching defines form, yes, but more importantly, it creates a dynamic visual rhythm. See how the figures are carefully placed, activating the negative space. Editor: So, it's less about *who* they are, and more about *how* they're depicted? Curator: Precisely. The subject becomes secondary to the formal arrangement. It’s the relationship between line, form, and space that speaks. Editor: I see. The empty space feels just as important as the figures themselves. Curator: Indeed. Callot masterfully demonstrates how formal elements can create visual interest, irrespective of narrative content. Editor: Fascinating; I’ll certainly look at prints differently from now on.