fibre-art, weaving, textile
natural stone pattern
fibre-art
weaving
textile
geometric pattern
abstract pattern
organic pattern
geometric
repetition of pattern
intricate pattern
regular pattern
pattern repetition
layered pattern
combined pattern
Dimensions: 81 5/16 x 7 1/4 in. (206.53 x 18.42 cm) (without fringe)
Copyright: Public Domain
Editor: This textile, titled "Sash" from around the 20th century, showcases some really intricate weaving. The patterns, colours, and shapes have caught my eye – there's so much happening. What do you see in this piece? Curator: Formally, the sash operates through the rigorous application of geometric abstraction. Observe the calculated repetition of motifs, deployed to create rhythm and visual interest. What do you make of the interplay between the diverse patterns? Editor: Well, each band feels different, yet they all share similar earth tones. I'm interested in how the different bands almost tell separate visual stories. But does this patterning mean anything, symbolically speaking? Curator: The formalist approach moves away from seeking solely symbolic or narrative content, emphasizing the autonomous qualities of the art object. Rather than asking what the patterns *mean*, we can ask how they *function* within the visual composition. Consider the structural relationships between the bands – their arrangement, their size, their chromatic values. How do they relate to each other? Editor: I guess by contrasting them it calls more attention to each individual pattern; there’s a sense of rhythm between each section through their colour palette too. But does this strict focus on just what we see risk ignoring its potential deeper context? Curator: While a contextual lens certainly has its place, focusing on form allows us to appreciate the artistry of the piece. Its materiality, coupled with the skill required to produce this type of design, offers a richness that stands alone, regardless of historical meaning. Editor: So, it’s almost like the visual dialogue of shapes and colours becomes its own language? Curator: Precisely. A language comprehensible through observation and an understanding of visual principles. Editor: Okay, that’s interesting. I'm going to spend more time decoding artworks focusing on their compositional elements first. Curator: An approach which will doubtless reveal further nuances each time you revisit a piece.
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