Buddha 1906 - 1907

Odilon Redon made this image of Buddha using pastel, a medium consisting of powdered pigment held together with a binder. The material lends itself to a gauzy, dreamlike atmosphere. Note how Redon used this quality to full advantage, creating soft transitions between colors, and a hazy light. It's easy to see why pastels were so popular among the Impressionists and Symbolists: the medium allowed for quick, direct application of color, perfect for capturing fleeting moments and subjective impressions. Yet, beyond its aesthetic qualities, the pastel medium also carried social significance. Pastels became popular in the 18th century, often used for portraiture among the aristocracy, but by the 19th century, they were embraced by a wider range of artists and patrons. The relative affordability and portability of pastels made them accessible to artists outside the traditional academic system. Ultimately, understanding the materials and techniques used by artists like Redon helps us appreciate their innovative spirit and their connection to broader social and cultural trends.