Leeuwen by Nicolaes de Bruyn

Leeuwen 1594 - 1621

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print, etching, engraving

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baroque

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animal

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print

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pen illustration

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pen sketch

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etching

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landscape

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genre-painting

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engraving

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realism

Dimensions: height 84 mm, width 123 mm

Copyright: Rijks Museum: Open Domain

Curator: Initially, one notices the intricate lines and shaded textures; the engraving gives a very crisp rendering to these lions in their natural setting. The print "Leeuwen," dating from 1594 to 1621, and attributed to Nicolaes de Bruyn. This engaging tableau resides here at the Rijksmuseum. Editor: My immediate impression is one of contained power. There’s a quiet strength radiating from these animals, even the cubs partially obscured by the mature lions in the pride. The image feels rather peaceful, and maybe even idyllic, though I imagine real life wouldn’t have been like this! Curator: It’s true, and within the frame of this particular composition, we’re offered an image far removed from colonial fantasies around nature or empire. Looking closer, the work complicates any simplified understanding of lion symbolism during this early modern period. How does the depiction disrupt contemporary understanding about depictions of power? Editor: Interesting, and relevant to the symbolism is that curious orb resting beneath one lion’s paw. A symbol of the world, maybe, dominated by nature's order? Consider too that the animals themselves act almost like heraldic symbols, each mane carefully detailed, conveying nobility but within an almost domestic sphere. It is like we are invited into their realm... Curator: Right—it shifts from aggressive dominance to familial governance—an intentional deflection perhaps. These nuances resist easy interpretations, inviting us to deconstruct simplistic notions of control, whether ecological or political, at a crucial moment in Dutch history of natural exploration. There’s something radical about that softened edge in art production. Editor: And that speaks volumes—a complex representation challenging inherent power dynamics. I would suggest the scene reflects both the external reach and also maybe mirrors internal civic pride of that same era? Either way, the artwork's complexity resonates far beyond a simple image of majestic beasts. Curator: Exactly! Through layered meanings we confront not only art but also histories intricately intertwined. Thank you. Editor: An encounter proving once more that symbolic reading allows critical, engaging, revisioning, reminding of history’s ongoing dialogues.

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