Dimensions: unconfirmed: 510 x 410 mm
Copyright: © The Benjamin Trust | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is Anthony Benjamin’s "Prisms of Water" from 1999, part of the Tate collection. The dark blues and blacks give it a somewhat melancholy feel, almost like a dreamscape. What symbols do you see in this piece? Curator: The blue, repeated, suggests not just water but memory itself, its edges softened and blurred. The streaks of red, like veins, disrupt the placid surface – perhaps a reminder of buried emotions or traumas. What do you make of the geometric forms rising from the depths? Editor: They look like houses, maybe? Curator: Yes, but consider the house as a symbol. It often represents the self, the inner world. Here, fragmented and submerged, they speak of the psyche’s hidden depths, the parts of ourselves we may not fully acknowledge. Editor: That makes so much sense! It really changes how I see the whole piece. Curator: Exactly! Visual symbols are culturally important for encoding and transferring knowledge.
http://www.tate.org.uk/art/artworks/benjamin-prisms-of-water-p78366
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Benjamin began his career studying with Fernand Léger. In the late 1950s he became a follower of Peter Lanyon in St Ives before being awarded a scholarship to study at W Hayter’s print studio in Paris, known as ‘Atelier 17’. Benjamin’s Prisms of Water is from a set of seven prints inspired by a group of poems by the Scottish poet W S Graham. Benjamin and Graham shared a fascination with the power of the sea, an image which is explored in both the prints and the poems. Gallery label, August 2004