after 1633
Joseph's coat brought to Jacob
Monogrammist GG
@monogrammistggLocation
RijksmuseumListen to curator's interpretation
Curatorial notes
Monogrammist GG's etching depicts a scene of profound grief: Jacob, overwhelmed, is presented with the false evidence of his son Joseph’s death. The gesture of Jacob covering his face speaks volumes. It echoes through time, seen in countless depictions of mourning from antiquity to the Renaissance. Think of figures in Roman sarcophagi or the Weeping Women surrounding the cross by Rogier van der Weyden; a universal language of sorrow is spoken. Here, it's primal and immediate, signifying not just grief but a shattering of the soul. The raised hand is a shield against unbearable truth, a desperate attempt to ward off the pain. But notice, this gesture does not exist in isolation. The accusers point, a symbolic gesture of betrayal. Thus, this composition is not merely a portrayal of personal loss, but a reflection on the cyclical nature of human suffering. It's a reminder that even in moments of despair, echoes of the past resonate within us, connecting us to the collective human experience. The symbolic weight of the image is a powerful force that engages viewers on a deep, subconscious level.