H. Degna en H. Emerita 1565 - 1630

Curator: Let’s turn our attention to this intriguing intaglio print. "H. Degna en H. Emerita," created sometime between 1565 and 1630, and currently held in the Rijksmuseum's collection. It's an engraving in ink by Antonio Tempesta, showing two... well, rather active scenes. Editor: My first impression is one of unsettling busyness. It feels crowded, doesn't it? All those etched lines swirling around create a frenetic energy, like a medieval medical drama unfolding before our eyes. What exactly are we witnessing here? Curator: We’re looking at depictions of the martyrdom of Saint Degna and Saint Emerita. Each woman, according to legend, was brutally murdered for their Christian faith. Notice the figures are not presented heroically, but rather realistically, emphasizing the violence of the acts. Editor: That explains the intensity! There's such a directness in the depictions – the almost casual brutality of the executioners, the resigned expressions on the faces of the victims. I almost want to turn away. Does this matter-of-factness, or perhaps coldness, have to do with artistic trends from the time? Curator: Absolutely. This engraving reflects the sensibilities of the late 16th and early 17th centuries, which were often concerned with depicting subjects realistically. Also, these types of prints had didactic purposes, meant to remind their audiences about devotion to their religion. Consider also the history of martyrdom. This wasn't just religious imagery, it was often a potent form of political discourse. Who was powerful, who was powerless, how such realities came about… these are key underlying aspects. Editor: Ah, it all becomes clear. A call to piety then! Looking closely, I notice Tempesta's skill in using lines to create a sense of depth and movement is impressive. But still, I am unsettled. It almost feels intrusive to stare so bluntly into these characters' anguish, yet impossible not to look at this gruesome narrative! Curator: A complicated reaction to the artwork, one that’s valid, and in line with the original goal. The tension between faith, pain, spectacle, and art makes the scene, if I can use that word, truly arresting. Editor: Indeed. The contrast is stark between the mundane and horrific; almost unforgettable, in a sense. Well, this piece has certainly left its mark on me. Time to step away and contemplate its power.