Dimensions: 10 1/2 x 17 1/2 in. (26.67 x 44.45 cm) (sight)14 3/4 x 21 3/4 in. (37.47 x 55.25 cm) (outer frame)
Copyright: Public Domain
Curator: Looking at this canvas, what's the first thing that grabs you? Editor: Honestly? The lighting. It's so dramatic, almost theatrical. It spotlights the food like it’s on a stage, doesn't it? The whole thing feels a little austere, and even lonely somehow. Curator: Interesting. Well, you're gazing at "Still Life with Fruit" painted in 1821 by Raphaelle Peale, who is often considered the father of American still life painting. Peale primarily worked in oil paint during his lifetime, and we can find this composition residing right here at the Minneapolis Institute of Art. Editor: Austere, that's the word! The dark backdrop, that almost severe arrangement of the fruit. Though, I have to admit, those glazed oranges are calling my name! Makes me think about what meals meant to folks in that era, doesn't it? More than just sustenance, maybe a symbol of prosperity, especially for a new republic finding its feet. Curator: Precisely! Still lifes often served as coded messages, reflecting societal values and the fleeting nature of beauty and pleasure. Think about the apple; in Western art it appears often in contexts associated with knowledge or temptation. Editor: True, true. But the composition, with the cascading cherries and vibrant greenery juxtaposed against that backdrop. Do you think it has any psychological roots in Peale’s own life? I heard that Peale faced tremendous adversity including struggles with alcoholism and health? This painting strikes me as somewhat sad, especially in view of what I know now. Curator: Indeed, art historians have often viewed the precision and controlled arrangements of his still life paintings, as well as this painting’s dark background, as reflections on Peale's battle against chaos and entropy in his own life. The inclusion of the glass could further be viewed as a hint at Raphaelle Peale’s struggle with alcohol, a theme we might see reprised in other artworks across time and cultures. Editor: You’ve definitely offered me a fresh perspective on Raphaelle Peale and still life arrangements. All that subtle symbolism gives me goosebumps. Curator: Yes! Symbolism offers a unique and potentially powerful view into the mind of Raphaelle Peale himself.
Raphaelle Peale painted still lifes at a time when doing so was not popular. Portraits like those by his father, the painter Charles Willson Peale, were more prestigious. Though considered suitable for amateurs, still lifes were generally regarded as beneath professional artists like the Peale family. But in his later years Raphaelle concentrated on them, becoming the first professional still-life painter in the United States. Still Life with Fruit, Cakes, and Wine, which includes dates and hazelnuts, was likely a Christmas gift. It is dated December 24, 1821.
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