An Alderman of Paris 1703

Nicolas de Largillière made this portrait of "An Alderman of Paris" with oil paints, which were ground, mixed, and layered to capture the alderman's likeness and status. Consider the materiality of this painting: oil paint, with its capacity to mimic the textures of fabric. Largillière masterfully captures the sheen of luxurious textiles, like the velvet of the alderman's robe and the intricate lace of his cuffs. The skillful application of paint mimics the luxurious textiles, visually embodying the alderman's status and wealth. The intense labor involved in creating such garments cannot be seen in the final product, even if it is implied by the alderman’s high social position. Instead, Largillière has focused on the final product of fine tailoring and dressmaking trades. The portrait therefore asks us to think about the relationship between craft, class, and the construction of identity in 17th-century Parisian society. By giving such meticulous attention to the trappings of status, Largillière elevates both the sitter and the skilled labor that made his image – and clothing – possible.