Pretty Teachings 18th-19th century

Curator: Goya’s print, "Pretty Teachings," depicts two women seated, seemingly in conversation. There’s a definite contrast in their appearance and demeanor. Editor: It’s stark, isn't it? The etching itself feels quite raw. You can really sense the artist’s hand in the marks, the layering of the aquatint. Curator: Absolutely, and that process is key. Goya was experimenting with these techniques to capture nuances of light and shadow, which here, I think, emphasizes the social disparity. Editor: I see it as a commentary on the power dynamics between women, particularly within the context of societal expectations and the transmission of knowledge and beauty ideals. There is an older woman, cloaked in shadow, whispering to a younger, more adorned woman. The younger woman has agency to break free from tradition. Curator: Or is she trapped by its material excesses? Look at the adornment on her clothing. Editor: Perhaps both, simultaneously. Curator: Ultimately, Goya used these prints to question the underpinnings of his society, using accessible materials and reproducible formats to reach a wider audience. Editor: Making his critiques all the more potent in their accessibility. It's a bold statement, even now.