The Actor Nakamura Nakazo I as Aso no Matsuwaka (?) in the Play Iro Moyo Aoyagi Soga (?), Performed at the Nakamura Theater (?) in the Second Month, 1775 (?) by Katsukawa Shunkō

The Actor Nakamura Nakazo I as Aso no Matsuwaka (?) in the Play Iro Moyo Aoyagi Soga (?), Performed at the Nakamura Theater (?) in the Second Month, 1775 (?) c. 1775

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print, woodblock-print

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portrait

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print

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caricature

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asian-art

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caricature

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ukiyo-e

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figuration

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woodblock-print

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genre-painting

Dimensions: 31.1 × 14.2 cm (12 1/4 × 5 9/16 in.)

Copyright: Public Domain

Editor: Here we have a woodblock print from around 1775 by Katsukawa Shunko. It's titled "The Actor Nakamura Nakazo I as Aso no Matsuwaka (?) in the Play Iro Moyo Aoyagi Soga (?), Performed at the Nakamura Theater (?) in the Second Month, 1775 (?)." Quite a mouthful! He looks so dejected; his shoulders slumped, almost like he is defeated, perhaps at the end of a performance? What strikes you about this work? Curator: Dejected is one way to read it, yes! I'm tickled by the almost brutal honesty in the portrayal. It's not flattering, is it? It's as if Shunko has captured a fleeting moment of vulnerability backstage. Think about it: The elaborate wig, the dramatic costume... all that artifice stripped away, leaving us with just… a person, weary and perhaps a little melancholic. What does that reveal to us, I wonder, about the artist's view of the actor's world? Editor: That's fascinating, the contrast between the stage persona and reality. It's kind of poignant when you put it that way. The exaggerated features, are those typical of this type of art? Curator: Precisely. Exaggeration walks a fine line, doesn’t it? Ukiyo-e prints, particularly those depicting actors, often employed caricature to heighten the drama, to amplify the character’s essence. Yet here, the exaggeration seems to serve a different purpose – it humanizes the actor, makes him almost… sympathetic. It's a balancing act between the performative and the personal, and it's really quite masterful. Editor: I never really thought about the human aspect, beyond just the caricature itself. The actor looks… exhausted, and suddenly that tells a different story than I initially imagined. Thanks, that perspective really reframes it. Curator: It reframes it for me, too, actually! Now, I am noticing a kind of weary elegance, there! I hadn't clocked that the first few times I had viewed it, if that makes sense?

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