Nachtlandschap met een koe bij een beek by Henri Houben

Nachtlandschap met een koe bij een beek 1868 - 1910

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print, etching

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dutch-golden-age

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print

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etching

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landscape

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realism

Dimensions: height 160 mm, width 248 mm

Copyright: Rijks Museum: Open Domain

Curator: At first glance, this little etching is steeped in serenity. It looks like it was pulled right from a dream—but also one touched with a hint of loneliness. Editor: This is "Night Landscape with a Cow near a Brook," a print by Henri Houben. Although the precise year of its making isn’t known, we believe it was created between 1868 and 1910. It gives an evocative depiction of rural life during the late 19th century. Curator: You can almost hear the soft murmurs of the brook and feel the damp night air. It's like peering into a secret world, and makes you wonder about the daily rhythms of pastoral existence back then. Did city-dwellers ever wonder, you know? Editor: In terms of subject, images like this had increasing appeal with the growth of urbanism. Depicting agricultural life gained value, arguably because people in industrialized centers romanticized something more connected with the earth, removed from urban stress. Curator: It's amazing how much texture and depth he managed to coax out of simple lines, especially since etching demands such precision. How were the art institutions receiving works like these, in contrast to more polished painting and sculpture? Editor: While Houben never attained widespread notoriety like some of his contemporaries, landscapes like this enjoyed patronage through specialized print collector groups. Remember, during the mid-19th century printmaking rose dramatically in popularity among art audiences— Curator: Hmm, it’s almost meditative; there’s a soft light along the horizon suggesting this liminal space of nightfall and that one lone cow that might not notice anyone noticing them at all. Editor: The work speaks to a certain reverence for rural settings which has continued to hold symbolic weight. Looking back on it, we get a clearer sense of what it meant for artists of his time to capture these soon-to-be disappearing ways of life. Curator: Maybe we should all just go and stare at a cow beside a creek some time... it really could change the perspective, maybe that’s the lasting power?

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