Copyright: Rijks Museum: Open Domain
Here we see George Hendrik Breitner's "Figure in a Kimono," a sketch rendered in pencil that captures a figure cloaked in a kimono. The drawing is defined by its minimalist structure and composition, utilizing line and form. The sketch exhibits a pronounced focus on the subject's silhouette, where bold strokes define the kimono's shape, suggesting movement and volume. The figure's stance, slightly turned, hints at an unseen narrative, inviting us to ponder her thoughts or destination. Breitner's mark-making has an unfinished quality, yet conveys a sense of immediacy and presence. The use of negative space amplifies the figure's isolation, placing her in a void that encourages reflection. It echoes the modernist fascination with the fragment, challenging conventional notions of completeness. This work serves not only as a study in form but also as an exploration of the relationship between figure and ground, presence and absence, in the evolving language of modern art.
In the process of drawing Breitner seemed here to be exploring how a kimono is worn and how a Japanese woman can move elegantly in it. He probably did not use a Japanese example. In Japan the kimono is wrapped tighter around the body and the excess material is folded double and tucked under the obi such that the hem just touches the feet.
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