Portret van Pierre-Augustin Le Mercier 1734 - 1763

Jean Daullé created this portrait of Pierre-Augustin Le Mercier, likely as an engraving, sometime in the mid-18th century. At first glance, the composition appears quite formal, almost rigid, with its central figure framed by architectural elements. Yet, look closer and the texture is revealed in meticulous detail. Notice how Daullé uses contrasting lines and shading to articulate depth and volume. The lines of the building and the stone balustrade on which Le Mercier rests are strong verticals and horizontals, which are countered by the softer, more organic forms of the wig. How does this contrast play into the symbolism of the piece? The wig, an undeniable status symbol of the time, is rendered with almost obsessive detail. This level of attention is perhaps a comment on the social mores of the period, emphasizing the importance of outward appearance and status. Ultimately, the print functions as both a representation and a critical examination of its subject and the society in which he lived.