Kara Mustapha, Grand Vizier c. 18th century

Editor: This is Jacobus Gole's portrait of Kara Mustapha, Grand Vizier. It’s so detailed! The engraved lines create such rich textures, especially in his turban and fur. What stands out to you about the way this print was made? Curator: The etching process is central here. The labor involved in creating these intricate lines speaks to a deliberate construction of power and exoticism. Consider the consumption of these images – how did this meticulous craft shape European perceptions of Ottoman figures? Editor: So, it’s not just about who he was, but about how the print-making process itself influenced the view of him? Curator: Exactly. Think about the materials: the paper, the ink, the metal plate, and how they were manipulated to create this representation for a specific market. Editor: That’s a totally different way to look at it. I was so focused on the subject. Curator: The material conditions always shape the message.