Skitser af får by Niels Larsen Stevns

Skitser af får 1900 - 1905

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drawing, pencil

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drawing

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animal

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pencil sketch

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landscape

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figuration

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pencil

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realism

Dimensions: 175 mm (height) x 118 mm (width) x 6 mm (depth) (monteringsmaal), 175 mm (height) x 110 mm (width) (bladmaal)

Curator: Niels Larsen Stevns' "Skitser af får," dating from around 1900 to 1905, presents us with an intimate glimpse into the artist’s process. Rendered in pencil, the sketch is held at the SMK, the National Gallery of Denmark. Editor: There's a wonderful, raw immediacy here. The soft graphite lends itself so well to capturing the gentle form of the sheep, the texture of its wool suggested with simple strokes. It feels honest and unpretentious. Curator: Precisely. It’s a look behind the curtain, seeing the labor involved in crafting an image. What interests me is how Stevns, though trained in academic painting, engages with a readily available, affordable material like pencil to study everyday rural life. It speaks volumes about accessibility and the democratisation of art production at the time. Editor: While the accessibility is an important aspect to consider, look at the modulation of light and shadow across the animal’s body, rendered with such subtlety using only line and tone. Stevns understood anatomy and employed the principles of realism here to capture its essence. He focused intensely on structure, form, and the physicality of the sheep. Curator: But what does it say about Stevns' engagement with the community, spending his time documenting rural labor and the animals that were so vital to the economy and life of everyday people? Think about the context in which this work was made, how such depictions gave value to aspects of society not often represented. Editor: Indeed, considering Stevns’ study as a preparatory exercise adds depth. This is realism filtered through keen observation, presented on an intimate scale with soft hatching for modelling form, prioritizing light and form within confined spatial terms. Curator: Agreed, the pencil lines breathe life into the sketch. Its inherent incompleteness suggests an invitation into the rural context of production itself, revealing its place within a much larger picture. Editor: Well, it’s certainly provided us a lens into his creative thought process and approach. I leave this piece appreciating both the craft, along with the inherent qualities.

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