Harbor at Capri [Marina di Capri] by Uberto dell'Orto

Harbor at Capri [Marina di Capri] 1876 - 1880

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print, etching

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print

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impressionism

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etching

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landscape

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cityscape

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realism

Dimensions: sheet: 47.7 × 66.6 cm (18 3/4 × 26 1/4 in.) plate: 20.2 × 33.3 cm (7 15/16 × 13 1/8 in.)

Copyright: National Gallery of Art: CC0 1.0

Editor: So, here we have "Harbor at Capri" or "Marina di Capri," created sometime between 1876 and 1880 by Uberto dell'Orto. It's an etching, giving it a wonderfully delicate, almost dreamy quality. What I immediately notice is how tranquil it feels, despite all the activity in the harbor. What do you see in this piece? Curator: Well, for me, it whispers of a time when travel was a grand affair. The steamships, those magnificent iron beasts, are puffing along next to these little rowboats. Do you get that feeling of being in transit to a new place, yet still tethered by a small village or an emotional connection? Editor: Absolutely! There's definitely that contrast between the old and the new, a sort of industrial revolution meeting idyllic seaside life. The cliffs on the right give such a tangible impression. Is there some commentary on industry or something like that? Curator: Perhaps. Or maybe it’s more a celebration of change, a gentle reminder that beauty can be found even amidst progress, with dell’Orto almost asking us if the "cityscape" can be appreciated. It’s not as obvious as later industrial scenes, is it? How does the texture of the etching affect your experience? Editor: It softens the edges, lending it that "impressionistic" feel even though it’s technically realism. It blurs the details in such a cool way, making me fill in the gaps with my own imagination. It's quite special. Curator: Indeed, this reminds me a little of my early travels through Europe, etching kit and sketchbook in hand. Did it bring a little smile to your day? Editor: Definitely, it evokes an intimate feel, like stepping back in time. Curator: Then Uberto has gifted us with a special experience, don’t you think? Editor: I definitely agree. It has provided insight on realism and impressionism working together.

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