Morocco 1926 1926

Editor: This is Leslie Hamilton Wilson's "Morocco 1926," a small book at the Harvard Art Museums. The gold lettering against the tan leather is quite striking. What do you see in terms of its composition? Curator: Observe how the rectangular frame, echoed by the book's shape, creates a visual containment. The textured leather, juxtaposed with the smooth, stamped lettering, establishes a dynamic interplay between tactile and visual elements. Editor: That's a keen observation. The materials themselves become a focal point. Curator: Precisely. The materiality and form, rather than subject matter, invite contemplation. The artist challenges us to appreciate the intrinsic qualities of the object itself. Editor: I've never thought about a book that way before! Thanks for sharing your perspective.