Indonesiërs lezen aanplakbiljet van de Partai Nasional Indonesia in Batavia by Anonymous

Indonesiërs lezen aanplakbiljet van de Partai Nasional Indonesia in Batavia Possibly 1946

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photography, gelatin-silver-print

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portrait

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african-art

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narrative-art

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asian-art

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social-realism

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archive photography

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street-photography

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photography

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historical photography

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postcolonial-art

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photojournalism

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group-portraits

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gelatin-silver-print

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realism

Dimensions: width 25 cm, height 19 cm

Copyright: Rijks Museum: Open Domain

Editor: Here we have a gelatin silver print, likely from 1946, titled "Indonesiërs lezen aanplakbiljet van de Partai Nasional Indonesia in Batavia" which translates to "Indonesians reading a poster of the Indonesian National Party in Batavia." The crowd gathered around the column looks very pensive. How do you interpret the symbols present in this photograph? Curator: What strikes me is the central column—it is architectural, Western, and solid. Yet the people gathered are mostly young, pushing towards something new, away from colonial solidity. Do you see any items that seem intentionally highlighted? Editor: Perhaps the headwear? There's such a variety, from traditional peci caps to Western-style hats, and even a conical farmer's hat. Curator: Exactly. Headwear, for centuries, has signified identity. Observe how the light catches these varied forms, signifying a diverse, coalescing national identity. What is being read also has strong symbolic implications. Words have a visual presence. Editor: Right, the act of reading becomes an act of empowerment and unity, doesn't it? Even the shadows seem to suggest both the weight of the past and the promise of the future. Curator: The photograph captures a moment pregnant with possibility. Even though this appears to be a simple photograph, what stories it could tell. Editor: Looking at this photograph through the lens of symbolism definitely adds layers of meaning that I hadn't initially considered. Curator: Precisely. Each element echoes across time, reminding us of the visual echoes inherent in image and object making.

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