Staande Franse soldaat by August Christian Hauck

Staande Franse soldaat 1795

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drawing, pencil

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portrait

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drawing

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light pencil work

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quirky sketch

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pencil sketch

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figuration

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personal sketchbook

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idea generation sketch

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ink drawing experimentation

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romanticism

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pen-ink sketch

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pencil

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costume

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sketchbook drawing

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pencil work

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history-painting

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sketchbook art

Dimensions: height 155 mm, width 105 mm

Copyright: Rijks Museum: Open Domain

Curator: A first glance tells me this fellow is weary! A delicate pencil work rendering a soldier, maybe just off-duty. What do you see? Editor: I’m immediately drawn to the stark simplicity of it all. It feels like catching a stolen moment, doesn’t it? A flash of humanity amidst the rigid structure of military life. Almost melancholic. Curator: The Rijksmuseum holds this quick sketch from 1795 by August Christian Hauck. What's remarkable is how much this simple portrait manages to communicate about the changing face of warfare at the time. Editor: A sketchbook study, likely. I love seeing those—a window into the artist's process, almost more raw and revealing than a finished, polished work. Notice the detail in his stance— the way he shoulders that musket almost casually, the slouch that tells you his muscles ache. There's a beautiful tension between the crisp uniform and the visible fatigue. Curator: Absolutely. Consider that uniforms themselves, especially in post-revolutionary France, carried immense political weight. They represented not just a military force, but also an ideology. So a slightly disheveled soldier challenges that, doesn't he? Editor: He is certainly no longer standing straight to attention! Exactly! He’s real. Imperfect. Dare I say, revolutionary. He challenges not just the political implications, but the classic glorification of military prowess we often see represented through the ages. There's something very honest in its presentation. Curator: I think you’ve nailed it. Hauck gives us more than a soldier; he offers us a person existing at a turning point in history. Editor: The sort of image to remember as you make your own history! Curator: Indeed. Food for thought about the cost of conflict, maybe, however subtle.

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