The old bridge at Novigrad at Dobra 2000

Alfred Freddy Krupa made this drawing of 'The Old Bridge at Novigrad at Dobra' using ink on paper, and it’s all about the fluidity of gesture. It feels like he's captured the essence of the bridge in just a few strokes, right? Look at how the ink bleeds into the paper, creating these soft edges and textures. It’s so immediate and direct. The dark, bold marks give it a real sense of weight and presence, while the white of the paper lets it breathe. Notice the confident sweeps of the brush suggesting the river beneath, almost like a calligraphic dance. It’s not just about depicting a bridge; it's about the act of seeing and translating that vision into a tangible mark. For me, this piece has a lot in common with the work of Franz Kline. Both artists share that love for raw, expressive brushwork. Like Kline, Krupa understands that sometimes, less is more. It's this kind of economy of means that lets the viewer fill in the gaps, making the artwork feel alive and in motion.