Dimensions: image: 765 x 560 mm frame: 986 x 780 x 27 mm
Copyright: © Maggi Hambling. All Rights Reserved 2010 / Bridgeman Art Library | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Here we have Maggi Hambling's "Portrait of Dr David Brown", part of the Tate Collections, executed in charcoal. Editor: The smudging gives it a spectral, almost haunted quality. The sitter seems weighty, both literally and figuratively. Curator: Indeed, the subject's bulk is rendered through heavy charcoal strokes, contrasting with expanses of blank space. The hatching around the face emphasizes its craggy character. Editor: The open, expressive pose feels symbolic. Is it inviting, or is it a confrontation? The eyes certainly command attention. Curator: The formal attire—the suit, the tie—lends a sense of authority, yet the medium softens the impact, making it feel less a portrait of power and more a study in human vulnerability. Editor: Perhaps that is why the work resonates so powerfully. It seems to grasp a fleeting moment of introspection, etched in charcoal for eternity. Curator: A beautiful encapsulation. Hambling's piece truly speaks to the enduring power of portraiture and its ability to unveil inner truths.
http://www.tate.org.uk/art/artworks/hambling-portrait-of-dr-david-brown-t11745
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Hambling is best known for her intimate portraits of friends and family, such as that of her neighbour, Portrait of Frances Rose 1973 (Tate T06786), and that of her father, Father, Late December 1997 1997 (Tate T07835). One of her first exhibitions, held at the Morley Gallery, London SE1 in 1973, was of portraits drawn from memory and from observation. Although her subject matter subsequently extended to allegorical paintings and sculpture and a number of near-abstract watercolours and drawings, portraiture – sketched, painted and sculpted – has remained central to her practice.