Studie van schoonheid 1906

Iwasaki Shôun’s "Studie van schoonheid," translates to "Study of Beauty," and invites a contemplative gaze into the cultural constructions of aesthetics. Its presence in the Rijksmuseum creates a cross-cultural dialogue, offering us a glimpse into the Japanese aesthetic traditions. The artwork itself confronts us with the cultural specificity of beauty standards. Calligraphy occupies a central role, not only as a means of communication, but also as a visual art form valued for its expressive qualities. The texture of the paper, the careful strokes of the brush, and the very act of inscription contribute to an appreciation of beauty. The incorporation of seals adds layers of meaning, signifying ownership, authenticity, or artistic approval. Contemplate how "beauty" is constructed, negotiated, and internalized. This piece asks us to reflect on the power of art to shape societal ideals and personal perceptions.