F 112 1978

Tadasky, a Japanese-American artist born in 1935, made "F 112" using silkscreen and acrylic on canvas. It’s a vibrant arrangement of concentric circles that challenges traditional notions of representation. Tadasky emerged during the Op Art movement, a time when artists explored the psychology of vision. "F 112" encapsulates this interest, its hypnotic patterns prompting viewers to question their perception. Consider the post-war period in which it was made. Japan was rebuilding, and America was at the height of its consumer culture. Tadasky's work reflects a desire to break free from traditional artistic constraints. His use of vibrant colors and geometric shapes speaks to a sense of optimism and forward-thinking. To understand Tadasky's contribution fully, we might explore the artist's position within the New York art scene of the 1960s, comparing his work to that of his contemporaries. We might also look at the rise of screen printing as a democratic medium that allowed artists to create multiples. This helps us to recognize that art is not created in a vacuum but is always a product of its time.