Portret van Anne Gesiena Jonker by Albert Greiner

Portret van Anne Gesiena Jonker 1874 - 1887

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photography, albumen-print

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portrait

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photography

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framed image

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19th century

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albumen-print

Dimensions: height 103 mm, width 64 mm

Copyright: Rijks Museum: Open Domain

Curator: This albumen print, simply titled *Portret van Anne Gesiena Jonker*, comes to us from the studio of Albert Greiner between 1874 and 1887. Editor: She seems very proper, a little melancholic, standing there stiffly with her hand on that small book. I almost feel like I'm intruding on a private moment, even though it's clearly a posed portrait. Curator: The formal posture, the careful arrangement of objects around her – the potted plant, the ornate table – were typical of portrait photography in the late 19th century. It was as much about status as likeness. Having your portrait taken was a significant act of self-representation for the bourgeois class, very calculated. Editor: The lighting is intriguing; her face is softly lit, while the background seems intentionally faded and blurred. I’m pulled toward her face; it feels very direct, like she’s challenging me, yet also vulnerable. She has that kind of enigmatic, almost Mona Lisa gaze that’s kind of gripping. Curator: Absolutely. What I find fascinating is the almost paradoxical nature of such portraiture. While ostensibly about capturing the individual, it's also deeply rooted in social conventions and expectations. Editor: I agree. There’s a palpable tension there. It is the image of a person but also a statement about how they want to be perceived. I think her expression does something unique by hinting at a world within that rigid setting. It feels revolutionary in such a restrictive age. Curator: It makes you wonder about the untold stories, doesn’t it? About her inner world, hidden beneath the trappings of respectability. The photographer captured more than just her outward appearance; a spark of humanity comes through. Editor: Yes, a spark, a question mark even, hanging there right above her head next to the questionable "Anna Jonker?", like a subtitle to her silent inner monologue. Curator: Well, that just wraps it up nicely, I think! A great observation to tie everything together here. Editor: Yes, an observation that perhaps gets us closer to understanding who Anne Gesiena Jonker was in that moment captured by the camera.

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