Sketch of Two Friezes, Palazzo Mattei 1776 - 1779

This is Thomas Hardwick's "Sketch of Two Friezes, Palazzo Mattei," made with graphite on paper. The drawing meticulously depicts classical friezes, showcasing swirling acanthus leaves, cherubic figures, and scenes of mythological creatures. Hardwick’s technique is evident in the precise lines and shading, rendering a sense of depth and texture. The Palazzo Mattei in Rome provided a real-life setting for such ornate designs, and Hardwick’s study reflects the era’s fascination with classical forms. Drawings such as these were crucial for architects, enabling detailed planning and communication with artisans who would eventually carve these designs in stone. The labor-intensive process of carving such intricate friezes was a direct expression of wealth and power, and its aesthetic value was inseparable from the social context of its creation. Hardwick’s drawing offers us a window into the world of skilled craftsmanship. It challenges us to consider the human effort embedded within these decorative elements.