drawing, lithograph, print
portrait
drawing
lithograph
pencil sketch
etching
pencil drawing
romanticism
Dimensions: 13 1/4 x 9 1/4 in. (33.66 x 23.5 cm) (image)
Copyright: Public Domain
Editor: This is "Heures Du Matin. Mlle. Annette Boulanger," a lithograph from around 1830 by Achille Devéria. It’s such a delicately rendered print – a woman in a beautiful ruffled collar, looking at a book. It has a sort of quiet, intimate mood. What strikes you most about this image? Curator: Immediately, I am drawn to the way the print uses the symbolic language of Romanticism to depict domesticity. Notice how the soft light, flowing fabrics, and the woman's contemplative pose create a sense of idealized serenity. The "Heures Du Matin"—morning hours—hints at the woman's inner world opening up like a book, vulnerable yet self-contained. Does it give you a feeling of her emotional state through her imagery? Editor: Definitely! It’s interesting how much emotional expression can be conveyed just through pose and setting. The hat is also interesting. Curator: Precisely. Her headdress might symbolize societal constraints subtly challenged by her intellectual engagement. A print allows one to read in comfort. Devéria subtly invites us to contemplate women's access to knowledge and private contemplation. Editor: That's a great point. I hadn't considered the symbolism of the setting or the hat beyond the obvious indicators of status and wealth, but it makes sense that access to knowledge and time were considered social privileges then, or symbols of self actualization. Curator: And do you notice how she's holding the book? Her gentle touch. What meaning could we find in how she engages with that object? Editor: I think she seems to have been immersed in the image of what is within the book she is looking at. She is a reader as an archetype here and not just some "lady of leisure". It's nice to think of printmaking and books offering intimate access into the mental and private worlds for both artist and model, blurring subjectivities between the maker, the sitter and us, the viewers across time. Curator: I’m so glad you noticed how that exchange is still there, across centuries. The visual language of Romanticism creates layers of understanding across social barriers and time itself!
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