Titelpagina voor de introductie op het prentwerk: Nicolas de Fer, Les forces de l'Europe, 1696 1693

Editor: This is the title page to Nicolas de Fer’s "Les forces de l'Europe", from 1693. It's an engraving, and I’m struck by how it uses imagery of war and naval power to… well, I’m not quite sure *why*. What do you see in this piece? Curator: Well, first, consider the date. Europe was in an almost constant state of warfare at this time. This print, likely meant for a relatively wealthy, educated audience, reflects that reality and seeks to legitimize military power. Editor: Legitimize it? How so? Curator: Notice how the scenes of battle are framed within an elaborate, almost celebratory, design. It’s not just raw conflict being depicted, it’s *ordered* conflict. Look at the title "Introduction a la Fortification.” This print is the frontispiece to a book on how to fortify Europe, meaning strengthen borders with military defense. Editor: So, the images of battles aren't necessarily glorifying war itself, but more selling the necessity of being militarily prepared. Protecting borders through strategic fortifications? Curator: Exactly. Consider also who the work is dedicated to - the Duke of Bourgogne. Royal patronage was incredibly important, and imagery of successful fortifications projected power, a message he probably wanted associated with him. Editor: It's fascinating how a single title page can reveal so much about the political climate and power dynamics of the time. I hadn't considered how actively images like these were used in politics. Curator: Indeed, the public role of art in shaping political opinion should never be overlooked. We can also reflect on how some ideas become ingrained in institutions.