drawing, print, paper, engraving
portrait
drawing
figuration
paper
history-painting
northern-renaissance
engraving
Dimensions: 165 × 117 mm (sheet trimmed within platemark)
Copyright: Public Domain
Editor: This engraving, "The Crucifixion, from The Passion," made around 1475 by Martin Schongauer, feels incredibly detailed and almost overwhelmingly emotional. The figures are packed so tightly around the cross, their grief is palpable. What do you see in this piece from a historical perspective? Curator: This work is powerful, isn't it? From my viewpoint, this print serves as an important historical artifact reflecting both religious devotion and the rise of printmaking as a powerful medium for disseminating imagery. Consider how Schongauer, working in the Northern Renaissance, uses the relatively new technique of engraving to create a readily reproducible image of a central Christian scene. How do you think this accessibility would have affected the broader populace? Editor: I guess it made art and religious stories much more widely available than before. Like, everyone could have their own version of the Crucifixion? Curator: Precisely. It's not just about religious dissemination. The print participates in a broader economy of images. Owning a print like this was a sign of status. Do you see any socio-political influences playing a role in how this scene is portrayed? Editor: Hmm, maybe the intense emotion? Was it supposed to make people feel guilty or encourage piety in some way? Curator: It is worth exploring the social context of religious practice. Images were powerful tools for reinforcing belief and, indeed, encouraging adherence to religious norms. Moreover, consider how prints like this solidified Schongauer's reputation, transforming the artist himself into a commodity. This work shows not just a moment of religious importance but reveals the dynamics of image-making, commerce, and faith intertwined in the late 15th century. Editor: I never really thought about prints in that way – not just as art, but as these little cultural and economic engines. Thanks! Curator: And for me, it is nice to consider how accessibility is a thread from the first printmakers, to today. Thank you!
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