Bird's Eye View of New York and Brooklyn by John Bachmann

Bird's Eye View of New York and Brooklyn 1851

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drawing, lithograph, print

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drawing

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lithograph

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print

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landscape

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perspective

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cityscape

Dimensions: image: 22 1/8 x 32 1/2 in. (56.2 x 82.6 cm) sheet: 25 1/4 x 34 1/2 in. (64.1 x 87.6 cm)

Copyright: Public Domain

Curator: What strikes me immediately is the incredible detail; you can almost feel the bustle of 1851 New York. Editor: Indeed, this lithograph titled "Bird's Eye View of New York and Brooklyn," created by John Bachmann, offers a fascinating glimpse into the rapidly expanding metropolis. The perspective itself is really something, lifting the viewer above the city. Curator: I'm captivated by how Bachmann managed to capture such incredible detail with lithography. The labor involved, the carving of each building, each ship... It really underscores the value placed on these types of views at that time. These prints provided accessible representations of an evolving landscape and a growing city. Editor: Absolutely, these prints also highlight how deeply entwined New York’s identity has always been with trade, movement, and progress. But look at the image itself as a kind of advertisement too. The city is almost impossibly clean, full of ships actively working, but little sign of actual workers on land. How much does this promote a certain vision, or aspiration, rather than what actually existed? Curator: That is astute. Bachmann may be visually highlighting progress, but who profits from that progress? Examining the production of these images gives us insight into not only the labor behind them, but who purchased them, who circulated them, and whose narratives they were pushing into a broad public. Editor: I’d also ask, who was not shown in these images, or perhaps presented differently. In some ways, Bachmann's "Bird's Eye View" isn't merely a depiction of urban geography; it’s an assertion of economic and cultural dominance. That bird's eye wasn't available to everyone in 1851, certainly not in terms of who could afford to produce, or buy an image like this. Curator: Looking at the density of buildings juxtaposed against the open water and surrounding landscape—you realize this was a time of intense industrialization, reshaping both the physical city and, importantly, the way people perceived urban space itself. It's all meticulously rendered, of course, a carefully constructed depiction. Editor: Indeed, an invaluable document. I always find it refreshing to consider its creation as equally, if not more important, than the content depicted, challenging art history and opening avenues to understanding socio-economic landscapes.

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