Diverse voorstellingen, onder andere van een dame met een koto, een zittende dame en twee mannen by Katsushika Hokusai

Diverse voorstellingen, onder andere van een dame met een koto, een zittende dame en twee mannen 1800 - 1900

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drawing, print, paper, ink

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drawing

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imaginative character sketch

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quirky sketch

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narrative-art

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print

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asian-art

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ukiyo-e

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cartoon sketch

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figuration

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paper

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personal sketchbook

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ink

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idea generation sketch

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sketchwork

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line

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sketchbook drawing

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storyboard and sketchbook work

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sketchbook art

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initial sketch

Dimensions: height 186 mm, width 128 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have "Diverse voorstellingen, onder andere van een dame met een koto, een zittende dame en twee mannen," which translates to "Various Scenes, Including a Lady with a Koto, a Seated Lady, and Two Men." It’s a print executed in ink on paper sometime between 1800 and 1900 by the inimitable Katsushika Hokusai. Editor: Wow, it has this beautifully unpretentious energy. It feels almost like finding a discarded napkin sketch from a genius! The simple lines are so evocative. Curator: Indeed! It's a fabulous example of Ukiyo-e and Hokusai’s illustrative skill. Look at how, with just a few strokes, he captures the essence of these various figures and scenes. We have, at the top, a noblewoman playing the Koto, below that, another scene of women near a lantern. Then the lower part shows two men carrying a heavy load and a figure in the snow. Editor: It really is like a snapshot of a bustling world captured with an elegant brevity. You get a feeling for the texture of life—the refined woman, the labourers in winter— all coexisting in this one frame. Curator: Notice how each figure carries cultural weight. The lady with the Koto symbolizes refined culture, the men below represent daily life and labour. They tell different stories that represent society. Even the presence of those small, almost comical-looking, pigs gives us clues of common life in Japan in this era. Editor: It is a brilliant contrast. It sparks an interesting chain reaction in the brain that connects us to this piece so spontaneously, almost like free association! I can smell winter air, and the ink smells rich and subtle like worn wood. The sketch feels dreamlike; fleeting and constant at the same time. Curator: Well said! Hokusai's visual vocabulary compresses a whole host of signifiers from a bygone world. Even the architectural styles speak volumes if you understand how to decode their references. It all allows us to imagine this cultural tapestry with stunning clarity. Editor: It does seem to hint at stories, fragmented poems in line… I would love to unravel what each sketch is whispering about. Curator: Absolutely! So much visual language. Thank you for offering a breath of fresh air, I always find so much value in first impressions of art, which reveals so much in just an instance! Editor: Thanks for sharing that lens, it's nice to have a deeper appreciation of the different images presented.

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