Portretten van Eugenius van Savoye, John Churchill van Marlborough, en Johan Willem Friso, prins van Oranje-Nassau 1745
print, engraving
portrait
baroque
old engraving style
group-portraits
limited contrast and shading
history-painting
engraving
Dimensions: height 462 mm, width 272 mm
Copyright: Rijks Museum: Open Domain
Curator: Before us is a fascinating print from 1745 by Pieter Tanjé, titled "Portretten van Eugenius van Savoye, John Churchill van Marlborough, en Johan Willem Friso, prins van Oranje-Nassau." It's a Baroque engraving now residing here at the Rijksmuseum. Editor: Wow, it's incredibly ornate! All those swirling details, and the solemn faces in their elaborate frames stacked on top of each other. Gives me the sense of peering into some kind of historical peep show, like an official family tree with cannons and stuff. Curator: Precisely! Tanjé, as a key figure in the 18th-century Dutch printmaking scene, frequently engaged with themes of political power. This work, in particular, highlights three prominent military figures through meticulously detailed portraiture. It reflects an era keen on memorializing its heroes via reproducible media. Editor: Reproducible, eh? So, this wasn't just about honoring the gents, but getting their images *out there* to a broader public? Like proto-propaganda? Curator: Absolutely. Prints like this were instrumental in shaping public opinion and solidifying the legacies of these men. Consider the martial emblems flanking each portrait: flags, weapons—visual cues of valor and leadership meant to resonate deeply. This print serves less as simple biographical depiction and more so as ideological statement of military strength. Editor: You can really feel the weight of it, can’t you? Literally and figuratively. I mean, just look at the dense ornamentation surrounding each guy. It almost feels like the weight of their historical significance is being pressed onto the viewer. I keep thinking about how this engraving's tight, intricate line work must have been excruciating to create by hand... all for political reasons. Curator: It demonstrates the prevailing style of the time but also tells the narrative—art informing historical and social viewpoints. Editor: It all sort of makes you wonder about how future generations will preserve us with our Instagram feeds and TikTok dances. Do you think they'll stack our selfies into ornate frames? I suspect there will be far less armor, though... more athleisure wear! Curator: An interesting thought indeed. Thank you for your intuitive take on it. Editor: Thank you, this made me look at history in a totally different way today.
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