Het kleine gevecht in Seoul, Korea by Utagawa Kokunimasa

Het kleine gevecht in Seoul, Korea 1894

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Dimensions: height 358 mm, width 238 mm, height 353 mm, width 235 mm, height 354 mm, width 234 mm

Copyright: Rijks Museum: Open Domain

Editor: This intriguing triptych, "The small Battle in Seoul, Korea," a woodblock print created in 1894 by Utagawa Kokunimasa, definitely captures the intensity of the moment. I’m immediately struck by the dynamic composition – the smoke, the positioning of the soldiers… What historical context brings this print to life for you? Curator: This print offers a fascinating lens through which to view the First Sino-Japanese War. We see the institutional apparatus of war presented almost as spectacle for public consumption, influencing opinion about Japan's military prowess. How do you think the artist positions Japan's involvement in Korea? Editor: It almost seems romanticized, even propagandistic, don't you think? The Japanese soldiers seem organized and poised, while the opposition is implied through explosions, partially obscured by smoke. But did the viewing public at the time recognize such intentions, or merely see it as historical documentation? Curator: The print culture of the Meiji era, the ukiyo-e tradition specifically, served as a primary mode of mass communication. So these images weren't just documents; they were actively shaping a narrative of Japan's growing imperial ambitions and were instrumental in galvanizing popular support. Were people really viewing it, questioning what it said? Were people swayed by this or thinking for themselves? Editor: So the museum’s acquisition and display of this print itself plays a role in how it's interpreted today? Curator: Absolutely. Museums, like any institution, have a hand in shaping how the public understands and interacts with art and its relationship to historical events. This display brings this conversation to you here and now. The context surrounding art will continually evolve as the historical background develops, shaping a rich source of inspiration for audiences and emerging perspectives. Editor: I hadn't thought about it that way. Thanks, that gives me a lot to consider about not just this piece, but others as well.

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