Dimensions: Image: 39 1/4 × 14 5/16 in. (99.7 × 36.3 cm) Overall with mounting: 77 3/8 × 19 13/16 in. (196.5 × 50.4 cm) Overall with knobs: 77 3/8 × 22 3/16 in. (196.5 × 56.3 cm)
Copyright: Public Domain
Curator: "Calabash Flowers and Beetle" by Maruyama Ōshin, dating from the early 19th century, executed in watercolor. Its current home is right here at the Metropolitan Museum of Art. Editor: The colors are so restrained. A kind of muted elegance. It’s very…zen. A humble little beetle almost hidden among the delicate flowers and broad leaves, it lends the piece an immediate air of curiosity. What’s he up to? Curator: Observe how the organic pattern is constructed through delicate line work. The artist captures a kind of "living" geometry in the gourd vines themselves and carefully placed flora to achieve balance across the silken surface. Editor: It feels like the artist really took his time, you know? A contemplative process to reveal this slice of life. Each petal and curve seem to whisper about observation and finding harmony in the smallest things. And yet there's this incredible lightness of touch! Like a whisper in paint. Curator: Ukiyo-e landscape and organic themes converge. Notice how the apparent simplicity belies an intricate system of visual weights, each component is painstakingly laid in relation to others. There’s a definite emphasis on nature and an almost detached perspective in keeping with its aesthetic aims. Editor: Absolutely. I'm struck by how it encapsulates that feeling of discovering a hidden world. I bet you that beetle isn’t really there; a silent, ever-watchful guide to the painting. Or maybe it just stumbled in there by accident...who's to know. Curator: Consider how Ôshin blends seemingly opposite artistic elements, watercolor to conjure form and the considered application of ink. His controlled and structured mark-making coalesce towards an artwork of considerable visual impact. Editor: It's an intriguing conversation they’re having together, the beetle and gourd. And now with us. Perhaps the silent, observant approach encourages one to appreciate life’s understated wonders, even beetles doing beetle-y things. Curator: Indeed. "Calabash Flowers and Beetle" proves how effective close observation and precise execution can create a lasting meditation. Editor: Yes, I agree. There is magic in its simplicity; a delicate poem told in leaves, blooms, and one curious beetle.
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