Boats (Entry of the Midina to the Isle of Wight) c. 19th century

Editor: Berthe Morisot’s watercolor, "Boats (Entry of the Midina to the Isle of Wight)," captures a hazy harbor scene. There's a real sense of stillness here. What stands out to you most about this work? Curator: The immediacy of Morisot's watercolor, its almost sketch-like quality, invites us to consider her position as a woman navigating the male-dominated world of Impressionism. How does her perspective, as a woman within this social context, shape her artistic choices and the subject matter she depicts? Editor: That's a great point, I hadn't considered the gendered lens. Curator: Exactly! By understanding the historical and social context, we can appreciate how Morisot's work, though seemingly simple, challenges conventional artistic boundaries. Editor: I see what you mean. Thanks, that's given me a lot to think about!