Veldslag tussen Polen en Turken by Johann Wilhelm Baur

Veldslag tussen Polen en Turken 1633

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drawing, print, engraving

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drawing

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baroque

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print

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pencil sketch

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landscape

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pen-ink sketch

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history-painting

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engraving

Dimensions: height 105 mm, width 139 mm

Copyright: Rijks Museum: Open Domain

Curator: This print, titled "Veldslag tussen Polen en Turken," or "Battle Between Poles and Turks," comes to us from the year 1633 and is the work of Johann Wilhelm Baur. Editor: My immediate impression is controlled chaos. The lines are so dense, particularly around the horses, creating a frenetic sense of movement. Curator: It is indeed a masterful rendering of Baroque battle imagery. The work employs engraving techniques, which in this period served to disseminate information about contemporary political and military conflicts. These images became tools of public opinion and national identity. Editor: Absolutely, and if you observe the composition, it is all diagonals and dynamic curves. Baur really captured that feeling of immediacy using stark lines. Curator: We see the clash between the Polish and Turkish forces presented within a visual vocabulary of heroic struggle, contributing to the construction of Poland as a bulwark against Ottoman expansion. The work reinforces specific historical narratives. Editor: Although, it should be mentioned that the way the horses are presented suggests they're more decoration rather than real beasts of war. Did you also notice how the depth of the landscape is only faintly visible, making it seem as if everything is flattened into the foreground? Curator: That limited depth actually allows Baur to concentrate the viewer’s gaze, directing it toward what the artist deemed were the important details. The scene is almost staged. It suggests not so much an accurate record, but an idealized impression, likely for political ends. Editor: Even so, there is an almost sketch-like quality in its rendering. The horses look very dynamic but not accurately sketched, but full of passion. The engraving's beauty stems less from realistic representation than from dramatic line work. Curator: The availability of prints like this helped shape the European imagination, framing events like this battle. Editor: I agree, and with a fresh eye for line and form, Baur offers viewers drama in black and white. A controlled yet vivid battle of line and form.

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