Initial D 1931

M.C. Escher made this woodcut, using lines and space to conjure a world of geometric paradox. It’s not just about the image; it’s about how the image is made, the process of carving away at the wood to create these stark contrasts. Look closely at the way Escher uses lines to create depth and shadow; the lines are not just lines but tools to shape space. The steam rising is almost chaotic compared to the rigid, structured lines, which adds a sense of surrealism. Escher's work reminds me of early computer graphics, where artists had to work with the limitations of technology to create complex, mind-bending visuals. He plays with perception and reality. His work isn’t about answers but about constantly questioning how we see.